Wednesday, 1 December 2010

Tuesday, 30 November 2010

MEDI 236: Pagan Reasearch

I have found an video by amateurs that is actually fairly informative here

The BBC actually has a very unbiased and factual account of us here

I also found this 10 facts of pagans here

Interestingly enough I have found a pagan police association website that shows they are normal people too here

This is the link to a spot the BBC did on Druids being recognised as a religion in its own right. It features an interview with my friend Cat Treadwell who may feature in my documentary.     

Important things about Pagans:
  • Pagans do not believe in, or indeed worship, the ‘Devil’. In fact Pagans do not even believe in such a concept.
  • Pagans do not perform sacrifices.
  • Wicca is a form of neo-paganism.
  • The divine is present everywhere. 
The Pagan Federation Website

Thursday, 25 November 2010

MEDI 259: Experiment- Autumn City





This is the series of images I have produced so far for experiment. I am trying to convey the themes of nature in the city and the struggle between them, is nature in the city merely man made? Are they at war? Are they in harmony?

All the Autumn colours serve to show that nature marches on regardless, that even if the trees are in neat rows the leaves will still fall. Nature carries on regardless.

I have used a very simple yet effective method to try and draw people into the picture and question what they are being shown. I want to really challenge the audience yet not skimp on the actual aesthetics of the image. They have to be eye catching and different with both a sense of the surreal and a real feeling of place.

I have chosen to do this and expand upon this idea. I am hoping to work towards 360degres projection to further layer the space and have indoor becoming more outdoor.

MEDI 263: Black and White Hassleblad Work

In our first week as a group shot on medium format black and white film. We split the film half in the studio with studio lighting and half outside with natural lighting. We used lots of different lighting to really experiment and get to grips with the studio and lighting rigs. Also we used a wide range of props in the studio shoots to explore lots of different themes and really play with shadow to create dramatic effect. For one photo we did a wonderland theme with random objects and cards being the focal point.  For this photo we used one soft light.

On the 'Godzilla' themed photo we used soft lights first from one angle and then added a second. They are both good images but I feel they would benefit from maybe a backdrop.

 The 'Teddy's got a gun' photos we first took it with a soft light and then decided that it would have a better effect with a strong light to cast a really harsh shadow. It makes it much more dramatic and suspenseful therefore it is a far more improved image than the first as it better conveys what we wanted to get across in the theme.

The images we took outside using natural light are more lighthearted and less tightly themed.

I most like the one of teddy sitting on the railing high above everything. I feel it evokes a quiet sense of loneliness and contemplation. Unfortunately if you look really closely then you

 can see the camera reflected in the glass. I still however think its a really strong image.

The image of teddy and Emily playing I think has a nostalgic feeling of childhood playing.

We were aiming for a teddy in the wild kind of shot where he is pictured crawling over the rock. This was approached in a kind of wildlife documentary style and I think achieves it.

Emma and teddy on the wall was a kind of cheeky shot mimicking various pictures that were shot in a very similar style.

We did loose some of the images in this shoot due to the fact that when we processed them the film in certain places stuck together so the photo chemicals didn't reach them.  It was very unfortunate but at least we did get some usable negatives.

I think that the shoot went really well and our group got some very nice images.












Thursday, 11 November 2010

MEDI 263: Black and White Linhoff Work.

The Linhoff is a wonderful monorail large format camera. Its quality is stunning. We were using photopaper instead of film for our negatives as it gives a very different kind of negative that I personaly think is very cool. If printed in a dry darkroom then results are instant which is very satisfying but I like the depth of the negative whith this process.

In our group we all took photos of eachouther but for some reason chose to develope the photo of ourselfs.
At the time of seeing the negative I realised that wearing dark clothing on a dark background isn't very good for producing quality images as I sort of turned into a floating head. The fact we were using very strong lighting from only one direction may not have helped either...


In the dark room I had to do two test sheets. I am guessing that the first sheet of paper may have been exposed as I did nothing different to the secound test sheet and yet I got actual results secound time around. I am thinking I was just unlucky and selected an exposed sheet of paper as this can somtimes happen, if its your day to have fogged photopaper...

The secound tester however came out fine. And although the image is really quite dark I decided that between around 10 and 15 secounds exposure would be the best thing to do to get an optimum picture, even if it was pretty much just my head...
The final image of me was exposed for 13 secounds and I am fairly happy with it. It needed to be cropped to remove the odd white line but overall I think its very nice.

I also got the tester sheet of Emma's picture as I think I was the one who photographed her.





I really Like the Linhoff cameras as the image quality for black and white is wonderful. I think they are deffinately brilliant for studieo shoots.

MEDI 263: Colour Contact Sheet

This is the contact sheet for the colour work. This was made scanning the orginal negatives in and then sorting them out with the relevent programs. Its a very nice way of working so that you get not only the quality of an analogue camera but also the freedom and scope that computerised photo manipulation lets you have.

Tuesday, 9 November 2010

MEDI 259: Using Stop Motion


Today I have just been exploring new techniques and have used the images from the earlier photographic narratives work.  I like how it expands upon the original narrative.

I have also posted it on Youtube  :)